Studio and Recording: Composing For Commercials
27 videos | 132 minutes | by Gregg Fine
Learn the techniques that successful “spot” composers use to compose their 30-second masterpieces as they conduct their way through the complex world of creating music for commercials...
To compose music for commercials you need to know a lot about music. That’s a given. It’s also just the beginning. You see, you also need to understand how advertising works and how it’s scientifically designed to motivate us to feel good about spending our hard-earned money. That’s where the music comes in. Music is all about creating feeling. Advertisers know how to harness the power of music and use it to their advantage! The question is: Do you know how to deliver…
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27 videos | 132 minutes | by Gregg Fine
Learn the techniques that successful “spot” composers use to compose their 30-second masterpieces as they conduct their way through the complex world of creating music for commercials...
To compose music for commercials you need to know a lot
about music. That’s a given. It’s also just the beginning. You see,
you also need to understand how advertising works and how it’s
scientifically designed to motivate us to feel good about
spending our hard-earned money. That’s where the music comes in.
Music is all about creating feeling. Advertisers know how to
harness the power of music and use it to their advantage! The
question is: Do you know how to deliver the goods?!
You will, because in this fun, 60s stylized,
animated tutorial romp, veteran jingle writer Gregg Fine explains
everthing you need to know to begin a career as a commercial
composer. First you’ll learn about the history of
commercials and jingles. Then Gregg explains the inner
workings of ad agencies and the different ways you, the
professional composer, can interface with them.
He then examines the “must-have” skills that spot composers use to
create their short-form scores. From there he’s off to the actual
spots and what makes them work, how they’re constructed, and talks
about the different kinds of spots!
Then we take a look at the process: the briefs, storyboards and the
video. Gregg also explains the pitfalls of the Temp
Track and the syndrome called Demo Love and
how to deal with the very real expectations of your ad agency
clients.
Finally, Gregg takes us through the compositional process. Along
the way you’ll learn how to build effective tracks and, at the same
time, create catchy Ear Candy, construct solid
Transitions and effective Tags.
This tutorial, created using Logic Pro, is a deep look at all the
tools a composer must have in their toolkit to compete in the world
of spots and jingles. So join Gregg Fine as he explains the
fundamentals of this exciting and potentially lucrative craft:
“Composing For Commercials.”
There are no frequently asked questions yet. If you have any more questions or need help, contact our customer service.
